Scott Killian: New Ballet Music 9 - In the Moment
Scott Killian: New Ballet
Music 9 - In the Moment



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23 Digitally Orchestrated Barre & Center Exercises. 13 barre, 10 center exercises. No repeats. Extra long tracks. This very special CD is your ticket to a new world of music and dance. The adagios are stunningly beautiful, and the allégros are energizing and exhilarating.

As Scott composes each piece, he e-mails it to Finis, who then listens to it and makes suggestions so that it fulfills his teaching goals. Scott makes the suggested changes, Finis listens again, and so on, until both Finis and Scott give it the final stamp of approval. It's a labor of love between teacher and musician, and the end result is another collection of ground-breaking music for today’s ballet class. This particular CD has proven to be enormously popular with Adult Beginners, who say it really does take them away from the cares of daily life.


1. Stretches: 2/4, 8-8’s, 1:44
2. Pliés: 3/4, 8-8’s, 2:38
3. Battement tendu: 4/4, 8-8’s, 2:13
4. Battement tendu: 3/4, 16-8’s, 2:40
5. Battement tendu: 2/4, 16-8’s, 2:30
6. Battement tendu: 4/4, 8-8’s, 4:15
7. Battement tendu: 2/4, 16-8’s, 2:18
8. Battement degage: 6/8, 16-8’s, 2:08
9. Adagio: 3/4, 32-8’s, 4:34
10. Rond de jambe: 3/4, 16-8’s, 3:15
11. Fondu: 3/4, 8-8’s, 2:35
12. Frappé: 2/4, 32-8’s, 2:22
13. Grand battement: 3/4, 8-8’s, 1:57
14. Tendu, pirouette: 6/8, 16-8’s, 3:32
15. Tendu, pirouette: 3/4, 16-8’s, 3:44
16. Adagio: 4/4, 8-8’s, 4:09
17. Adagio: 4/4, 16-8’s, 4:25
18. Fondu-relevé: 3/4, 32-8’s, 4:32
19. Fondu-relevé: 2/4, 32-8’s, 4:41
20. Changements: 2/4, 16-8’s, 2:39
21. Petit allegro: 2/4, 32-8’s, 3:28
22. Grand allegro: 3/4, 32-8’s, 3:52
23. Coda: 2/4, 32-8’s, 3:43


The Finis Jhung Ballet Technique Level 1 - Centerwork for Beginners
The Finis Jhung Ballet Technique Level 3 - Barrework
The Finis Jhung Ballet Technique Level 4 - Intermediate Centerwork on Turns


"My students and I were 'wowed' by Scott's music, which made them move and dance in a much brighter way. When creating combinations, steps are coming to me in a different way. It makes us all float!" - C. Murphy, Stroud School of Dance, Setauket, NY

"Our students love to take classes with these new compositions because they have fullness and a rich quality that can be lacking in solo piano music." - Logan and Sally Smith, Bon Air Dance+Pilates, Bon Air, VA